Bauhaus Ausstellung 1923 Weimar by Wassily Kandinsky Alma Working in the tradition of

Working in the tradition of Japanese Sumi ink painting and grounded in Eastern philosophy

the composition moving between tension and resolution without arriving at either

the work's fine botanical linework and subtle tonal gradations are preserved in full

every engraved line and tonal wash comes through with faithful sharpness

Layered Serenity builds its calm through accumulation – form placed on form

Bauhaus Ausstellung 1923 Weimar by Wassily Kandinsky Alma Working in the tradition ofDesigned by Wassily Kandinsky for the first major Bauhaus exhibition in 1923, this graphic work is a concentrated statement of Bauhaus principles circle, triangle, and square arranged in dynamic tension, primary colours assigned to elemental forms in a composition that functions as both poster and manifesto. The design operates at the intersection of abstract painting and graphic communication, translating Kandinsky's colour theory into a visual